LA SOURCE
COLLABORATION - PARIS - 2019
With a free gesture, Bruno Moinard escapes from the formal language, breaks the clarity of the lines of the Nelson Bench. Using, according to his activities as a painter, collage, fragment and polyptych, the artist's inked canvas collides with the tense drawing of George Nelson's bench.
![00-la-source-2019-site-b](https://brunomoinardeditions.com/media/pages/projets-et-savoir-faire/la-source-2019/b78e3242ef-1664542798/00-la-source-2019-site-b-1200x.jpg)
![35.-bruno-moinard-collision-hugo-miserey-12001800](https://brunomoinardeditions.com/media/pages/projets-et-savoir-faire/la-source-2019/5ad8a75b0d-1664542798/35-bruno-moinard-collision-hugo-miserey-12001800-1200x.jpg)
![35.-bruno-moinard-collision-hugo-miserey-2](https://brunomoinardeditions.com/media/pages/projets-et-savoir-faire/la-source-2019/ab527adf1b-1664542798/35-bruno-moinard-collision-hugo-miserey-2-1200x.jpg)
![35.-bruno-moinard-collision-hugo-miserey-3](https://brunomoinardeditions.com/media/pages/projets-et-savoir-faire/la-source-2019/9e488b1cd6-1664542798/35-bruno-moinard-collision-hugo-miserey-3-1200x.jpg)
LA SOURCE
COLLABORATION - PARIS - 2019
With a free gesture, Bruno Moinard escapes from the formal language, breaks the clarity of the lines of the Nelson Bench. Using, according to his activities as a painter, collage, fragment and polyptych, the artist's inked canvas collides with the tense drawing of George Nelson's bench.
![35.-bruno-moinard-collision-hugo-miserey-12001800](https://brunomoinardeditions.com/media/pages/projets-et-savoir-faire/la-source-2019/5ad8a75b0d-1664542798/35-bruno-moinard-collision-hugo-miserey-12001800-1200x.jpg)
![35.-bruno-moinard-collision-hugo-miserey-3](https://brunomoinardeditions.com/media/pages/projets-et-savoir-faire/la-source-2019/9e488b1cd6-1664542798/35-bruno-moinard-collision-hugo-miserey-3-1200x.jpg)